I went down a rabbit hole the other day looking into history curricula for high schools in a number of different countries (I started with South Korea, but I am easily distracted.) and the end of this search was a friend from high school telling me that another friend from high school really liked this book. And, as it turns out, I already owned it so here we are.
Beth read this a while ago, so I’m curious to compare notes with her on it.
It’s that time of year where we take a look back at the last 12 months. 2018 was by far our best year we have ever had here at Stacks. Thank you for all spent their time reading our little blog here. Here are the top ten posts that you all really really liked.
So how did I do with this year’s challenge. Pretty good, I think. I read a few books that I normally wouldn’t have read and other books I would have because I love the authors. I didn’t complete the challenge though and I’m sad about that. Will have to do better in 2018.
A Book with a Trans Narrator: Eddie Izzard in Believe Meby Eddie Izzard
This was a credibly well written and crafted novel. I was really taken in by this family and their struggles and triumphs. Pachinko follows one Korean family from 1910-1989 from their home in south of Korea to Japan. When Yangjin’s daughter sixteen year old daughter, Sunja gets pregnant and the father can’t marry her. a boarder at her boarding house agrees to Marry her and take her to Japan with him to spare her and her family any shame. Being a Korean living in Imperial Japan at the time was not easy. They were often discriminated against and limited in their movements thanks to racist policies. As the family tries to find ways to survive through poverty, war time and other personal tragedy it tears them apart and brings them together. If there is one thing that I got out of this novel is that no matter where women live, what their station in life is or what religion they practice. Their choices are pretty shit. Sunja finds herself pregnant from a secret affair with a wealthy businessman. When she finds out that he can’t marry her because he already has a wife and three daughters back in Japan she walks away. His offer of being his Korean wife and him buying her house and taken care of her is not enough. She will never be his true wife but also being an unwed mother will bring shame on her and her family. When a young pastor falls ill in her family’s boardinghouse, she and her mother help him get better. Isek is convinced he was sent to them on purpose to help them as they helped him so he agrees to marry her and take her with her to Osaka. This will spare the family of the shame. At 16, Sunja choices are to be destitute and shunned from society or marry a complete stranger and move to another country. Isek is a kind man and takes good care of her and their sons. He raises Noa as his own flesh and blood and does what he can to provide for his family and his brother and sister in law. They do grow to have mutual understanding and good marriage. It’s a shame that Isek dies early in the book due to unfairly imprisoned for political reasons but I wanted to know more about him. Their children Noa and Mozasu are two very different children. They both struggle to find their identity as Koreans born in Japan and lived their whole lives but still looked at as foreigners. I’m sure this is something many children of immigrants can relate too. Noa and Mozasu both represent the “good Korean” and the “bad Korean”. Noa was always the good student who believed that if was good, if he studied hard and was the best in his class who would be able to overcome prejudices and be accepted only to ultimately discover that years of hate is not easily overcome, particularly when the hate comes from within. Mozasu on the other hand understood early that you can’t change people’s mind. If people wanted to label him the “bad Korean” he would comply and ultimately was able to succeed.
I’ll admit I know very little about Korean history or their relationship to Japan. Considering we could be at war with North Korea very soon this seems like a big oversight on our parts. The Koreans were overtaken by Japan and forced in to be second class citizens in their own country. When they moved to Japan things were not better. They were limited on what jobs they could get. They had to live in a ghetto. Even their chosen professions were looked down upon. Pachinko, a kind of gambling was seen as criminal activity and often thought of us gangsters. After World War Two when Japan lost their war their situation became even more precarious. They were not anymore welcomed in Japan then before but with uncertainty at home they couldn’t go back to Korea. If they did, do they go back to North or South Korea. In a way they became homeless, which seems even sadder since for characters like Noa, Mozasu, Yumi and Solomon who were all born and raised in Japan. This is the only home they ever knew and yet they never treated like they belonged. There is a pretty powerful scene of Solomon, the son of Mozasu so 2nd generation Korean Japanese, having to go to the home department and register so he can stay in the country he was born in. I would say that would be crazy but then I remember what’s going on in our country and it doesn’t seem so crazy that a country would do that to it’s people. There is also discussions on women’s role. Sunja from the very beginning is a hard worker and finds it hard to stay stagnant. When Isek is imprisoned and the family is desperate for money, she steps up and starts selling kimchi by the train station despite warnings from his brother in law that women must work. She is industries and does what she needs to do to keep her family fed and sheltered. It is her strength that keeps the family going. At one point, Koh Hansu, who got her pregnant at the beginning of the story, shows up and sends them to a farm out of the city to save them from the end of the war. I was angry that after what he did and could just show up and play hero. Like how dare he? Sunja rejects him over and over again but he always comes back. So infuriating.
I’m glad that we are doing our Diverse Stacks, Diverse Lives challenge because I’m pretty sure that I wouldn’t have this book otherwise and I would have missed out on a wonderful story.
As of yesterday, I had finished my Goodreads.com reading challenge by finishing my 50th book this year. I decided to look at my own challenge to read more Diverse Narrators and see where I am in it and sadly, I’m not any further along then my last update. I have books picked out for some categories but I still haven’t read them and I still don’t know about the others. So dear friends of the internet, help me out with some book recommendations. What should I read to for the following.
A Book with a Trans Narrator I thought about using Alex Fierro from Magnus Chase and the Gods of Asgard: The Ship of the Dead but the story is only from Magnus point of view so that’s out. I’ve read good reviews for If I was your Girl by Meredith Russo. So I’ll think I’ll try that one but do you know of any other good book with a Trans Narrator?
A Book with an African Narrator I’ve settled on Born a Crime by Trevor Noah because everyone I know who has read it has loved it and I do love him on the Daily Show. Of course, Akata Witch by Nnedi Okorafor I’m also interested in too.
A Book with an Asian Narrator I thought about using Warcross by Marie Lu but Emika Chen is Asian American and I already have two books for that one and Hideo Tanaka who is British Japanese is not the narrator of the story, only Emika. A friend recommended Pachinko by Mi Jin Lee but I’m not sure.
A Book with a Native American Narrator Sadly, I’m not sure. Sherman Alexie’s books? Has anyone read Alyson Noel’s Soul Seekers series?
A Book with an Indigenous Mexican Narrator I’m even more loss on this one. I thought for a second about All the Crooked Saints by Maggie Stiefvater but by the beginning of the story, the Soria’s have lived in Colorado for over a century and the story is more about the family now then their pasts. So any suggestions?
I’m open to anything. Fiction, Non-fiction, fantasy, contemporary, romance. Whatever you got I’m up for it. Leave your suggestions in the comments below or hit me up on our Twitter @StacksXLiveX and Facebook