So, this is the story of Gibreel Farishta and Saladin Chamcha. Gibreel is India’s biggest movie star and Saladin is an expatriate who has just been to India for the first time is fifteen years. They are on a hijacked airplane that explodes over the English channel. The two of them plummet to Earth and the novel builds from there as a series of dreams and strange transformations. They are the only two survivors of the incident. Gibreel and Saladin’s story serves as a frame for a bunch of smaller stories that all intersect and overlap with the main narrative. Gibreel’s story overlaps with the story of Muhammed. Yes, that Muhammed. There is an alleged incident in which Muhammed heard an angel whisper some verses that were meant to be included in the Quran, but that he later recanted because the verses did not come from the angel on Allah’s behalf but from Shaitan, the adversary. Yes, this is the book the caused all the controversy and had Rushdie in hiding for years because of a fatwa against him. I feel like here is where I should say something about freedom of speech and blasphemy laws, but I don’t think that there is anything that I could say that hasn’t already said better. Rushdie is exploring something in this novel, Muhammed’s life, that he should be free to explore without fear of death.
There were many things I enjoyed about this book. The story is clever and there are many really neat parallels between the sub-plots and the main plot. I like magical realism and enjoyed the bizarre parts of the novel. Rushdie tackles some pretty big themes like racism and migration in the text and he does it well. But, I think this might be another book that is a victim of its own hype? It has caused so much scandal (and is still banned places because of its blasphemous text about the Prophet). I was expecting to be wowed beyond belief but I wasn’t. This was a good novel, and its complex narrative with all the subplots make it a really rich and engrossing read. But, it left me cold and I wasn’t so involved in it that I couldn’t have put it down. So, it was good and I recommend it. But, it won’t be making my Top 10 this year.
The audible production is read by Sam Dastor and he did an excellent job. Because the narrative moves in and out of the main story and the sub-stories (and because there are characters who have similar names), I think I was saved a little potential confusion because each character had their own voice. That being said, there were sections I had to re-listen to because there was just so much detail and the text was so rich that I needed more than one pass to absorb it.
I’ve thought for years I should read this, but finding out it’s magical realism is a strike against it. I want things to be either real or magic, not a mixing of the two.
I wouldn’t recommend it, then. There’s definitely some magic in this the real. If you can stomach that, though, I think it’s worth it
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